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Exclusive Interviews > Nina Saxon [Title Designer]

How did you end up being
a title designer?
I wanted to work in film production and my mentor got me a job in
post-production of special effects [that I had studied at UCLA [University of
California, Los Angeles]. The job was working in an optical house animating the
red bullets for Star Wars. I had a good sense of "timing" leading to jobs
on commercials with effect techniques.
How did you get the assignment to be the title designer for
Escape From L.A.?
I was hired on Escape From L.A. by its producer Debra Hill.
How
did you prepare for this project and how did you collaborate with John Carpenter
[Director/Co-Writer/Co-Composer]?
I produce, budget and art direct all main and end titles, logos and animated
corporate logos working alongside the producers and directors who hire me along
with the editors. I partner with designers as well as animators and typesetter
depending on the project's needs.

How did you come up with the title design, how many were involved in making
it, what kind of challenges did this project provide and how long did it take to
make?
I would say that it is by conceptual instinct and watching a lot films as well
as seeing other designer's work [Saul Bass in particular] that inspire me. It is
an art form, a "moving introduction" like a book cover that introduces a film.
John Carpenter
had no requests other than I follow my instincts to reflect the
theme of the film. An action film would be entirely different than a romantic
film in the design of its logo, titles or title sequence.
There were two of us designing the main titles for Escape From L.A.
Myself and my typesetter who supplied me with various samples for me to choose
and show on paper. It took approximately three weeks. Designing an entire title
sequence for a film [either at the head or the tail] takes much longer starting
with storyboards, animating samples and finishing.
Was the classic Albertus font used in most John Carpenter movies such as Escape From New York always the first choice?
No. We showed many and they chose it anyway.
Did you have any input on the sounds used in the title
sequence?
Editors, director and producers have their own opinions.
What do you think of the movie personally?
I thought that the film Escape From L.A. was well-executed and
predictable as an action film featuring a major star at the time.
What's your favorite movie title or titles so far?
I am most proud of Romancing the Stone,
Back to the Future as well as supervising the feather and
designing the type for Forrest Gump as well as the recent Salt.
What are you currently doing and what do you enjoy doing
in your spare time?
I currently just finished the titles [type over live action films] for Phillip Noyce, Above Suspicion. In my spare time I love daily intense
exercise, taking Emeritus classes, procuring art with my husband, enjoying
living in Santa Monica near the ocean, going to "foodie" restaurants as well as
quality time at home with my husband, Elliott [an insurance expert witness] and
our English mini golden doodle Gracie.
Thank you for your time,
Nina.
More about Nina Saxon here:
ninasaxondesign.com
[Interview Date: 2017/Email]